In 1611, thirty-four-year-old Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and favourite wife of the Emperor Jahangir who ruled the Mughal Empire. An astute politician as well as a devoted partner, she issued imperial orders; coins of the realm bore her name. When Jahangir was imprisoned by a rebellious nobleman, the Empress led troops into battle and rescued him. The only woman to acquire the stature of empress in her male-dominated world, Nur was also a talented dress designer and innovative architect whose work inspired her stepson's Taj Mahal. Nur's confident assertion of talent and power is revelatory; it far exceeded the authority of her female contemporaries, including Elizabeth I. Here, she finally receives her due in a deeply researched and evocative biography.

In this engaging and eloquent history, Ruby Lal traces the becoming of nineteenth-century Indian women through a critique of narratives of linear transition from girlhood to womanhood. In the north Indian patriarchal environment, women's lives were dominated by the expectations of the male universal, articulated most clearly in household chores and domestic duties. The author argues that girls and women in the early nineteenth century experienced freedoms, eroticism, adventurousness and playfulness, even within restrictive circumstances. Although women in the colonial world of the later nineteenth century remained agential figures, their activities came to be constrained by more firmly entrenched domestic norms. Lal skillfully marks the subtle and complex alterations in the multifaceted female subject in a variety of nineteenth-century discourses, elaborated in four different sites - forest, school, household, and rooftops.

In this engaging and eloquent history, Ruby Lal traces the becoming of nineteenth-century Indian women through a critique of narratives of linear transition from girlhood to womanhood. In the north Indian patriarchal environment, women's lives were dominated by the expectations of the male universal, articulated most clearly in household chores and domestic duties. The author argues that girls and women in the early nineteenth century experienced freedoms, eroticism, adventurousness and playfulness, even within restrictive circumstances. Although women in the colonial world of the later nineteenth century continued to be agential figures, their activities came to be constrained by more firmly entrenched domestic norms. Lal skillfully marks the subtle and complex alterations in the multifaceted female subject in a variety of nineteenth-century discourses, which are elaborated in four different sites forest, school, household, and rooftop.

In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.

In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.

In 1611, thirty-four-year-old Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and favourite wife of the Emperor Jahangir who ruled the Mughal Empire. An astute politician as well as a devoted partner, she issued imperial orders; coins of the realm bore her name. When Jahangir was imprisoned by a rebellious nobleman, the Empress led troops into battle and rescued him. The only woman to acquire the stature of empress in her male-dominated world, Nur was also a talented dress designer and innovative architect whose work inspired her stepson's Taj Mahal. Nur's confident assertion of talent and power is revelatory; it far exceeded the authority of her female contemporaries, including Elizabeth I. Here, she finally receives her due in a deeply researched and evocative biography.